In recent months I've been contributing to International Record Review, the monthly magazine that does what it says on the cover. Here’s
a flavour of what I've been sent this month:
“The two
substantial chamber works here – the Piano Quintet of around 1890 and the Piano
Trio of 1895 – reveal Boëllmann’s talent for superbly woven structures that
flow effortlessly between ideas. His ear for clarity and delicacy also
impresses – never is the balance between instruments upset by bombast or
overscoring...
“Like the
music of so many of history’s short-lived composer, it all left me wondering
what might have become of Léon Boëllmann had he managed a few more decades.”
“Economy is key [to Kurtág]: nothing
more than necessary is said. Often a wandering line suffices, always coloured
with great delicacy by Kashkashian; harmony, when evoked, is spare and
purposeful. Kashkashian excels at fine modulations of unconventional tone.”
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